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Book news Progress report

Confluence is now available

2 Dec. Updated to include later links.

Today has been crazy with non-book related issues. So much so that I nearly didn’t write this blog.

Confluence, book three in the Linesman series was released yesterday for us, today for some of you in later time zones.

So far, people have said nice things about it.  Which is a relief, because no matter how much you, the author(s), might like a book, the real test is in what other people think of it.

We’ve tweeted a lot.  (Authors tend to do that around publication day. Surprise.)

We’ve also been featured on some blogs.

To date:

  • SFF World, asking how you know if your side is the right side in a war. Which, let’s face it, most of us don’t. In the Linesman books, we naturally side with the New Alliance, because Ean does. But how do we know it’s the side that should win
  • Plus we’re over on Unbound Worlds talking about why we like space opera
  • Over at the Book Nympho where Anne reviews the book, and hosts our article about music in the Linesman series
  • And we did an author interview over at MyLifeMyBooksMyEscape. where we talk about writing the series, and give a little hint of what’s to come next.

A number of people have asked when the audio version will be available.  Recorded Books plans to record it some time this week.  We don’t know when it will become available on Audible.  (Funnily enough, we do know when the CDs come out, but they always come months later.)

Meantime, if you’re reading Conflunce, we hope you enjoy it.

Categories
Writing process

The Sounds of Confluence

dragonpronouncingnames

David, from Recorded Books, rang the other day.

He had a list of words he wanted to run through, to hear how we wanted them pronounced.

Recorded Books have done this for every book so far.  It’s mostly names. People’s names and place names.

Believe you me, some of these words, when spoken with an Australian accent, come out very flat.

Some of the words we were asked to pronounce.

  • Tse
  • Henri
  • Merchett
  • Ghyslain
  • Aeolus
  • Hebe
  • Hella

How would you pronounce them?

Tse. Tss – ee, but short, not long. Emphasis on first syllable

Henri. On-ray. Emphasis on second syllable

Merchett. Mer-chett. Emphasis on second syllable

Ghyslain. Giz-lane. Emphasis almost even here, but a little heavier on the second syllable.

Aeolus.  A (as in hay)-ole-uss. Emphasis on the second syllable.  (Most people, we think, do it on the third).

Hebe.  Hee-bee.  Emphasis on the first syllable.

Hella.  Hell-ah.  Emphasis on the first syllable. The ‘ah’ is very short.

Engen.  Enn-gen.  The g here is a hard g, not a soft g.  (That is, not the g in engine, more like the g in gas.)  Emphasis on the first syllable.

 

How’d you go?

 

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Categories
Book news

Confluence books arrive

Author copies
Author copies

We received our author copies of Confluence today, which was lovely to come home to.

Most of them are already accounted for, so we’re close to having to order some more.

That’s probably a good thing. We’re also running out of copies of Linesman.

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On writing

What we’re reading this week

castinshadow_michellesagaraThis week went so fast I forgot to write a blog.

So this blog is a teeny bit late, but it’s not even a full day. Let’s call it fashionably late.

Work has been busy.  Writing has been busy.  And right in the middle of it one of our readers posted a reply to an earlier blog and mentioned the Elantra series by Michelle Sagara. (Thank you, Paula. Appreciate the recommendation.)

There are twelve books in the series.  I binge read the first three.

There’s a saying, often seen on t-shirts at science fiction conventions, that reads, “Do not meddle in the affairs of dragons, for you are crunchy and good with ketchup.”
(Marlene, from the Bookpushers, in E and Marlene’s review of Cast in Flight, book 12 of Michelle Sagara’s Chronicles of Elantra)

There’s something about binge reading.  Me, I can only do it so long before I get tired of the story. I read the first three books and started on the fourth. And for some reason the protagonist, Kaylin, was really annoying me. I have no idea why. I think it was just the long read, because I certainly liked the books enough to buy them.

I only bought book four because I adore Severn and I wanted to know what happens to him.

I took a few days’ break, and only went back to the books because the tram I was waiting for took forever to come. I’m reading them much more slowly now, but I’m enjoying them again.  I’ve just purchased book six.

Binge reading indeed.

Incidentally, Severn—one of the secondary characters—is a book maker for me.  I have no idea why characters appeal to readers like that, but he’s one of mine. It doesn’t matter what Sagara does to Kaylin; it’s what she does with Severn that will determine whether I continue to read the series.

It’s magic when you get characters like that.


beckychambers_longwaytosmallangryplanetSherylyn is currently reading Becky Chambers’ The Long Way To A Small, Angry Planet (now there’s a title to love).

I read this months ago.  We discuss it occasionally. It’s funny, but the things I remember about the book aren’t the things I liked best about it when reading it.

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Fun stuff

Movie time

Our local shopping centre is in a permanent state of expansion.  They finish one extension, and then start on the next. Or that’s what it feels like, anyway.

They recently opened a new section and hooray,  our movie theatre is back.

Naturally, we tried it out.

Nice theatre. Reclining seats and all.  Everything’s classy and new and beautiful right now.

Expensive too.  They charge more for the nice seats.

Going to the movies used to be something you could afford. Not any more. Or not often.  Luckily for us, our phone company gives us discount tickets, so it could be worse.

What did we see?

Inferno

The movie complex had just opened.  There were five of us in the theatre.

Sherylyn has read the Dan Brown books, I haven’t, but I have seen the movies. And enjoyed every single one of them.

I enjoyed Inferno, too.  It had some interesting plot twists, some I didn’t see coming.

Adrenaline packed fun.

Jack Reacher: Never Go Back

Tom Cruise has been in a lot of interesting movies over the last few years.  I loved both Oblivion and Edge of Tomorrow.

Tom Cruise often plays ‘out of character’.  I don’t know how many of you remember the fuss when he signed on to play Vampire Lestat, because Lestat is blonde.

Jack Reacher is blonde too. And he’s 6’ 5” (looks a lot like Lee Child, in fact). He’s nothing like Tom Cruise (a foot shorter, brown hair).  But I think Cruise does a good job of Reacher, even without matching physically.

This was another movie I enjoyed. Again, lots of action, although the story was pretty straightforward.

Categories
Writing process

High fantasy I’d like to read

fantasyworld

A huge proportion of high fantasy stories written by western writers are set in worlds based on a medieval European setting.  Or not so much real medieval Europe, but the fantasy world the medievalist Tolkien designed.

Tolkien’s world was a made up one.

Many writers base their worlds on his. They don’t change much.  Except for the magic, and ‘their’ story, most of them remain true to Tolkien’s setting.  Including his now almost-a-hundred-year-old views of a woman’s place in society, and how sex, politics and gender should be treated.

We don’t need that to make a good high fantasy.

What do we need?

  • A world which has little or no technology, and the subsequent lifestyle requirements from that, like transport, and how people fight
  • Clothing from another era
  • The magic, or McGuffin, demons or dragons or whatever makes your story special.

What else do you need to make high fantasy work?  Other than a good story and characters to love?

Politics?

Democracies, republics, monarchies, aristocracies, theocracies, dictatorships have been around for millennia. I can’t say I’ve come across many governments in fantasy that you can’t break back to one of the known types of governing bodies.

Gender inequality, skewed toward a patriarchal system, where the girl never inherits, and her husband or her father protects her?

Of course not, but that’s often part of a high-fantasy novel.

Sexual ‘standards’ where there are two genders and men get together with women and and anything else is a deviation?

Again, you don’t need this for a fantasy, but likewise it’s also often standard.

What about treatment of other races, where people of other cultures or color were treated as sub-human, or property? Do you need this for your fantasy to be successful? Most likely not.

Writers might put a bit of a modern-day slant on these things, in the same way Regency romance writers put a modern-day slant on how their women behave.  Because for most of us, the way other races, genders, and women, were treated in older times is not okay.  But they still write basically the same world Tolkien did.

I, for one, love books that take the gender/sex/race components and mix them around a bit.

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