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In media res

We survived another week in isolation. How did you go?

Sherylyn and I both worked from home this week. At least Sherylyn ‘finishes’ work when she logs off. I finish when I’m done. I admit I am envious. I know I said last week I was going to take it easier this week. Unfortunately, this week was worse. I haven’t had a chance to look at our latest work-progress. Worse, I only went outside about two days. So far this week I’m already excelling in comparison. One day, one super-easy stretching from YouTube and one walk around the block.

I expect may writers will try their hand at pandemic books over the next couple of years. I’m not sure I could read them, it’s a little too close to the truth. Maybe I could read one about smugglers doing a run to get medical supplies to hospitals. Fighting against corrupt officials, gangs, even the army trying to come in and take it off them.

Maybe not. Roger Zelazny did this in Damnation Alley fifty years ago.

That’s how l like my dystopia. As science fiction.

Although, to be honest, it has been pointed out that through all ages, there has generally always been people somewhere in the world living in what we would consider dystopia.

On Friday night I went looking for books to read, and I hit a streak of them—three of them in a row—which all started the same. Books I had on the Kindle that we hadn’t looked at before, all by different authors.

Each one of them started with the protagonist supposedly in the middle of the action. One was in the middle of robbing a house, one waiting for an attack, the third in the middle of robbing a warehouse.

As an aside, thieves as protagonists are so common now the book has to work a lot harder to keep my interest in those first few pages. (Cate Glass’s An Illusion of Thieves, did work hard, and I loved it.)

The protagonists in all three books spent a lot of time thinking, describing themselves and their surroundings, and giving backstory. Believe me, if I’m in the middle of a stakeout, I’m not thinking about my long, chestnut tresses. Expect, perhaps, to think maybe I should cut it short because it keeps getting in the way. And to be honest, how many of you think about what colour your hair is (unless you’re worried about the grey and realise you need to go to the hairdresser)? Especially in the middle of a job.

Writing advice tells you to start the story in media res—in the middle of the story. And these authors started their story in the middle of something, kind of, but nothing happened. Not for pages. By that time I’d given up.

I decided to try out a variation of a combined slush pile/page 99 test on Sherylyn.

“Would you read on?” I asked and read out the first page of the novel.

No for the first, no for the second, no for the third. “Boring, all of them.”

After that I looked around to see what else we had.

I started with books we already have on Kindle.

Patricia Briggs’ Moon Called, the first Mercy Thompson book.

“Would you read on?” I asked.

The answer was a definite yes, although Sherylyn said the story sounded familiar. (It was. The only Mercy Thompson story she hasn’t read yet is the new one, but she’d read this a while ago.) We read on.

Next we tried a book I knew she hadn’t read.

T. Kingfisher’s Paladin’s Grace.

“Yes, I’d read on.”

Jackson Ford’s The Girl Who Could Move Sh*t With Her Mind.

“Yes. I’d read on.”

After that I looked around Amazon to see what I might choose and found an early Patricia Briggs. Dragon Bone. At first glance this story sounded a lot like those we’d rejected earlier. It started with some description, a bit of history, and a protagonist whose hair colour we know by the end of paragraph two.

“Read on,” Sherylyn says, and I did. I read all the way to the end of the extract, and then I bought the book. I stayed up that night reading it, and into the following day. When I’d finished, I bought the second.

It passed the read-on test.


Take care, everyone. Look after yourself.

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Talking about things

I should be cleaning my bookshelf

Messy desk and bookshelf

How are you coping in these surreal times?  I hope you’re doing okay. Hang in there.

I’m into the first full week of self-isolation and work-from-home, although I have, technically, worked from home for the last three weeks, sans two days.

It started with a cold. Just the normal. Sneezing, sore throat, runny nose. Like many colds it came on full on the weekend—a long weekend, mind, so the three days of feeling rotten were the holiday period. I took two more days off, to be sure I was over any bugs.  By then, COVID-19 sanctions had hit.  I couldn’t go back to work without a doctor clearing me of any issues

That took the rest of the two weeks, just to be sure I was cleared.  I must say, I have never been the only person in the doctor’s waiting room before. It’s usually packed.

I didn’t get a COVID-19 test. Both the doctor and I were fairly sure I didn’t have it—if you’re interested, she tested my temperature, listened for any liquid in my lungs, and went through my symptoms—but she was at pains to emphasise that even though she was clearing me for work, she couldn’t guarantee I didn’t have COVID-19, as I hadn’t taken the Coronavirus test, only that I did not have the symptoms that indicated it.

Anyway, I was cleared for work, went back for two days, just in time for the work-from-home edict.

I am grateful I still have a job for the moment—many people don’t.

I am grateful I can work from home.  I work for a company that has a good work-life balance and allows us to work from home one day a week.  Not that I had been able to do so for the last six months, due to the project I am on, but we can, when we’re not so busy, so it wasn’t even a stretch (or an expense) to set up.

I am grateful I have a boss who looks after her staff and makes a real effort to ensure we’re not isolated while we are working from home.

I am not sick.  I am healthy(ish), although horribly unfit.

I thought I’d get more writing done.  I have two extra writing hours a day because I don’t have to commute. That hasn’t happened. Instead, I’ve worked longer hours. I can’t believe I’m doing this.  I start at nine and finish at nine, and when I’m finished I gobble a quick meal and go to bed.

This week I’m sticking to rigid office hours.

And I need to clean up the bookshelf behind my desk in preparation for work tomorrow.

That shelf is the one we put our junk onto, things we don’t anywhere else to put.  Especially electronic stuff, like cables and old keyboards. As you can imagine, it’s messy, and we’re doing lots of video conferences. Right now I take the laptop out to the kitchen to make the calls. I don’t want anyone to see to see mess behind me.  One day I’m going to forget and take the call at my desk.  I want it cleaned up before that.

Take care, everyone.

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Uncategorized

Finally back on line

We’re finally back on line after some technical issues where the site kept bringing up an error and I couldn’t even log on from the back end to investigate the error. We ended up backing up everything, and reinstalling, then reinstating the whole site.

Which worked, kind of, except that we lost all the book data, we’re using the default styles, the contact form isn’t working yet, we don’t have a front page. We’ll fix these over the next couple of days.

It could have been worse. Bear with us in the interim please.

Categories
Writing process

Gateway books

There has been a lot of talk in the Twitterverse lately about gateway books. These are the books, or book, that you read that makes you a fan of a genre.

Harry Potter is a gateway book. Many fantasy fans grew up reading Harry Potter and progressed to reading other fantasy. If we include film and television, Star Wars and Star Trek can be considered gateway stories as well.

Many people—particularly older people—will recommend the classics. “You’ve got to read Lord of the Rings.” (I read it in secondary school, and enjoyed it, but I have never read it since.) Or, “Robert Heinlen is the grand master of science fiction. You must read him. Stranger in a Strange Land.” (Never give someone a sixty-year-old book as a gateway book. Few last the tyranny of time.)

Not only that, different people have different gateway books. You can’t—and shouldn’t—recommend the same books to everyone.

Being a science fiction writer, people often ask me for recommendations. They also, sometimes, ask whether they would enjoy our books. My answers are the same for both the recommendations, and the should-I’s. I have a little mini-quiz I ask.

  • What do you read?
  • What television shows do you watch?
  • What movies do you like?
  • Not everyone reads books, but if they do, I ask about some of their favourite books.

After that, I’ll recommend some books if I can come up with any I think they’ll like.

I try to make them:

  • Published within the last twenty years, the last ten, if I can
  • Strongly character-based.

For most people, but not all, I also try for lighter stories rather than serious ones.  Few people are ready for heavy tomes as entrees into a genre. That often comes later, when they start to enjoy the genre.

Likewise, the classics come later, too. Sometimes they even come after someone has watched a television series. That’s what I did with Pride and Prejudice. Couldn’t get into it until I watched the BBC version (I’m sure I don’t need to say which one, it’s the classic). After which I finally read the book right through.

Categories
Writing process

How did you go with last week’s quiz?

Last week I gave you twelve images from book covers to see if you could guess the cover.

How did you go?

Here are the covers, in order of image.

How many did you get?

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Writing process

Quiz: Science fiction and fantasy covers

Sherylyn is on the engagement committee at her workplace, and recently they had a competition they call ‘I Spy’. You take a photo of part of an object in the workplace (usually close-up) and the teams have to guess the object is. I’ve adapted their competition to create a quiz on book covers.

We’ll show you part of a book cover. You tell us, in the comments, which books these are from.

To make it easier we have restricted it to:

  • Novels that were published, or will be published, between 2018 and 2020. Some of these novels are coming, not yet available. Dates are from amazon.com, so North American publish date.
  • Science fiction and fantasy only.
  • The covers are available on Amazon.com. That is, US covers, rather than UK (or Australian or any other country).
  • Covers may be paperback, hardcover or Kindle.

There are twelve book covers below. Answers next week.

twelve book covers

(Sherylyn says the work prizes were a box of chocolates. We can’t send out chocolates, so we’ll eat the chocolates for you. Sounds fair? No?)

Categories
Writing process

Interesting conversations only partially heard

The restaurant was crowded.

The woman at the large table across the room had one of those loud voices that older people often have when they’re going deaf. She raised her voice. Everyone in the restaurant could hear her, even above the crowd.

“Science fiction. You can buy it from Amazon.”

Naturally, I turned my head to see who was speaking. Wouldn’t you?

Her (adult) daughter was mortified. She deliberately avoided my eye and looked away from me, trying to shush her mother.

I wanted to go over and tell her not to worry. Let her mother talk. Sometimes the other people in the room hear what they have to say.

The daughter’s husband came in then, with birthday cake, so the conversation turned, but I really wanted to go over and tell the younger woman not to worry. Sometimes, when someone hears a loud voice, they just want to know what the loud-voiced person will say next.

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Writing process

The under-rated subconscious

We have a routine in our house, where most mornings we grab the paper and do the quiz while we drink coffee and wake up.

This morning I was doing the quiz and the question came up, “Name the author who wrote five books featuring Tom Ripley.”

Total mental blank. I knew Ripley was a con artist and a murder, but I didn’t know who created him.

Then, two questions later, when we’re trying to work out who came bottom of the ladder in the A-league two years ago (neither of us had any idea), up pops a name. “Patricia Highsmith.”

The subconscious is an underrated tool. Give your mind a puzzle to solve, then sleep on it. You’ll often wake up next morning with the problem solved. That’s provided you can manage not to worry about it so that you keep yourself awake all night.

For a writer, it’s a boon.

We’ll often talk out writing problem of an evening, not come up with a solution at all, but next day—after we’ve done the quiz—one of us will say, “Suppose this happens”, or “Suppose we move that part to earlier in the book, where our character has more of a reason to want to …”.

It doesn’t feel like work. It feels like serendipity. But your subconscious has been working away in the background, coming around to that conclusion.

Categories
Writing process

Why are our characters always eating?

Come to our house, you won’t get a feast like this. Sadly.

Is it just me, or are purple book covers a thing right now?

I think it’s only because I haven’t noticed them before, but ever since Stars Beyond came out, all I see are books with predominantly purple covers. I can remember when talking cover colours for Linesman, we said we’d like it to have some blue in it, for every science fiction novel at the time seemed to have red or orange covers.

Looking at the covers coming up, I’m predicting brown will be the new purple.

It’s all about food

We’re currently editing a scene in our new novel where the protagonist’s uncle serves hard-to-eat food to embarrass one of his guests.

Food is a constant in our novels (along with drinking). From Ean’s dinners with rulers and the military, to Rossi’s less-social dinner with Janni Naidan, all the way down to Sale’s sandwiches in the linesman’s survival pack. From Jacque’s spicy flatbread to garfungi soup. So much so that you’d sometimes think that food—and drink—is all we think about.

You might also think that based on our novels we lovingly prepare gastronomic masterpieces every night for dinner. Not so. Once, before some close friends retired and moved to the country, they used to come around for dinner every month and we’d scour the magazines to find something new and experimental (but that looked good) to cook. But that was then, and we haven’t brought out the good dinner service since they moved away.

Those dinners were legendary, by the way. We experimented, and while most meals were successful, some went down in history as monumental flops. We all still joke about the infamous Mars Bar dessert, which was so hard we couldn’t even cut it with a knife. I don’t recall if any of us ate it. I think we would have broken our teeth.

But experiments notwithstanding, most of our dinners are of the “what’s for dinner” variety five minutes before we have to prepare it. It often turns out to be salad and a meat, or meat and potatoes and peas (important standby in anyone’s pantry). Or pasta. Tuna and noodles (tuna in oil and whatever pasta is in the cupboard) is a favourite. Tuna is another cupboard staple.

As for going out to dine, how to get home afterwards is always more important than how good the food is. The restaurant needs to be close.

So although we write a lot about food, but we don’t always think about it.

Categories
Writing process

Hugo nominations are open

The CoNZealand email that popped into my mailbox last week mentioned that Hugo nominations were open.

I can only nominate stories I have read and liked. Here are some novels I am thinking of nominating.

The Ruin of Kings by Jenn Lyons. This is one of those books I picked up, read a bit, flicked to the end, read the end, went back to read the middle, moved on to read a bit more that I hadn’t read, and so on. I didn’t read it in sequential order, but despite that, enjoyed it.

Kihrin is an orphan who grew up on storybook tales of long-lost princes and grand quests, but when he is claimed against his will as the long-lost son of a treasonous prince, Kihrin finds that being a long-lost prince isn’t what the storybooks promised.

Finder by Suzanne Palmer. We were interviewed recently by Paul Semel and he asked us to recommend some space opera that we’d read recently and liked. This was one of them.

Fergus Ferguson goes to out into the far reaches of human-inhabited space to repossess a spaceship and gets caught up in a civil war.

Another story we recommended in the interview was Michael Mammay’s Spaceside, book two in his stories about Carl Butler.

Former colonel Carl Butler is now a civilian and he’s asked by his company to investigate a breach in a competitor’s computer network.

I also read and enjoyed Jackson Ford’s The Girl Who Could Move Sh*t With Her Mind. It’s set in modern-day LA. I suppose you’d call it an urban fantasy. Or would that be science fiction set in today’s world?

Tegan Frost can move things with her mind. So far as she knows, she’s the only person who can, so when a body turns up murdered using powers like hers, she’s the logical suspect. She has 22 hours to clear her name.

Looking through Goodreads’ list of 2020 Hugo-eligible novels, I see that T. Kingfisher’s Minor Mage is nominated. This is a story about a 12 year-old boy, and I know Ursula Vernon, who writes as T. Kingfisher, said editors considered it too black for a children’s novel, but technically it is a middle grade story. To me, anyway. If it is eligible, in any category, I will nominate it. This is definitely a book worth reading.

Oliver is twelve, and a very minor mage (he knows three spells), but while his mother is away the villagers ‘encourage’ him to take a journey to bring back the rain.